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Editor: dr Marika Kuźmicz Proof-reading: Christopher Smith Translator: Łukasz Mojsak Layout: Tomasz Zapała Reviewed by Dr. hab. Marta Leśniakowska, Associate Professor © Arton Foundation, 2019 © Akademia Sztuk Pięknych w Warszawie, 2019 ISBN 978-83-938029-6-8 ISBN 978-83-66098-32-9
https://issuu.com/fundacjaarton1/docs/arton_book_revisiting_heritage_-_pd Content: Liesbeth Decan: “A” View on Belgian Art: Notes on Guy Schraenen and the Belgium-Poland Connection Sandra Križić Roban: Not only on Women’s Day: Women in Croatian photography after the 1950s Marika Kuźmicz: From Forgotten Heritage to Unwritten Stories Leonida Kovač: Heritage, Legacy, Tradition, Transmission, Transformation, and So Forth Elnara Taidre: Discovering a Total Work of Art in the Home (and) Archive of Tõnis Vint Jelena Pašić: The Transformative Potential of Gorgonian Photography: The Case of Miljenko Horvat Lana Lovrenčić: The Petar Dabac Archive Radosław Maciej Przedpełski: Elements of Think Crazy Topology. Encountering Neo-Avant-Garde Practices of Marek Konieczny through Ludwiński and Deleuze Peter Tuka: The Avant-Garde and Post-War Totalitarianism: Július Koller and Conceptual Art under Communism1 Wiktoria Szczupacka: Foksal Gallery, Women and Labour of Love in the 1960s and 1970s Petra Skarupsky: Official Exhibitions from Czechoslovakia in Poland as a Tool for Remapping the History of Art in Central Eastern Europe during the Cold War Łukasz Jastrubczak: Recollection of the Last Exhibition Karol Radziszewski: Queer Archives Institute: Institution as an Art Practice Pavlína Morganová: Performance Art: Remembered, Photographed and Filmed, Exhibited, Sometimes Even Re-enacted Daniel Muzyczuk: Is It Right to Perform an Installation? Between Reconstruction and Performance of a Score Agnė Narušytė: The Aesthetics of Boredom in Lithuanian Photography Barbara Borčić: DIVA Station and Artists’ Archives Laura Leuzzi: The Fourth Encounter in Motovun (1976): A Platform for Experimentation for Early Video Art |